FALL / WINTER 2021 VOLUME 42, NUMBER 2
On the Cover ![]() Maren Hassinger, The Window
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PARALLEL PERSPECTIVES By Joan Marter and Margaret Barlow
WHERE THE BODY ENDS, THE WORK OF MAREN HASSINGER AND MARY ANN UNGER By Stephanie Sparling WIlliams THE WOMEN: TOPS IN ART, 1960, ABSTRACT EXPRESSIONISM IN AMARILLO, TEXAS By Amy Von Lintel and Bonnie Roos "GRAPHIC STATUES": FEMALE MONUMENTS, MEDIA PUBLICITY, AND THE STRUGGLE FOR SUFFRAGE By Nicole J. Williams EMBROIDERED MEMORIES: THE ARTWORK OF MIRI ABRAMSOHN, A SECOND GENERATION HOLOCAUST SURVIVOR By Shahar Marnin Distelfeld REVIEWS Artemisia By Letizia Trees, with contributions by Sheila Barker et al. Reviewed by Ann Sutherland Harris Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today Edited by Ceren Özpinar and Mary Kelly Reviewed by Claudia Yaghoobi Autotheory as Feminist Practice in Art, Writing, and Criticism By Lauren Fournier Reviewed by Anne Swartz Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic By Susan Funkenstein Reviewed by Jordan Troeller Women, Aging and Art: A Crosscultural Anthology Edited by Frima Fox Hofrichter and Midori Yoshimoto Reviewed by Catherine McCormack Angela Davis: Seize the Time Edited by Gerry Beegan and Donna Gustafson, with contributions by Angela Y. Davis et al. Reviewed by Rebecca VanDiver Zofia Kulik: Methodology, My Love Edited by Agata Jakubowska Reviewed by Joanna Turowicz Radical Virtuosity: Ana Mendieta and the Black Atlantic By Genevieve Hyacinthe Reviewed by Melanie Anne Herzog We continue to receive new submissions and encourage scholars to send their articles for consideration. WAJ guidelines for contributors and subscription information can be found on this website. |