FALL / WINTER 2009 VOLUME 30, NUMBER 2
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On the Cover
Paula Modersohn-Becker,
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PARALLEL PERSPECTIVES By Joan Marter and Margaret Barlow
By Diane Radycki MAKING BABIES, PAINTING BODIES: WOMEN, ART, AND
PAULA MODERSOHN-BECKER’S PRODUCTIVITY By Anne Higonnet PAULA MODERSOHN-BECKER AND THE BODY IN ART By Rainer Stamm LEFT AND RIGHT:
POLITICS AND IMAGES OF MOTHERHOOD IN WEIMAR GERMANY By Michelle Vangen HELEN SERGER’S GALERIE LA BOETIE:
PAULA MODERSOHN-BECKER ON MADISON AVENUE By Monica J. Strauss REVIEWS The Invisible Flâneuse? Gender, Public Space and Visual Culture
in Nineteenth Century Paris Edited by Aruna D’Souza and
Tom McDonough; Modern Women and Parisian Consumer
Culture in Impressionist Painting By Ruth E. Iskin; Women in Impressionism: From Mythical Feminine to Modern
Woman Edited by Sidsel Maria Søndergaard Reviewed by Kimberly Chrisman-Campbell The Color of Stone: Sculpting the Black Female Subject in
Nineteenth Century America By Charmaine Nelson Reviewed by Lisa E. Farrington Professional Pursuits, Women and the American Arts and
Crafts Movement By Catherine W. Zipf Reviewed by Pamela H. Simpson Bessie Potter Vonnoh: Sculptor of Women By Julie Aronson Reviewed by Roberta K. Tarbell Modernism and the Feminine Voice: O’Keeffe and the Women
of the Stieglitz Circle By Kathleen Pyne Reviewed by Karen A. Bearor Daring to Look: Dorothea Lange’s Photographs and Reports
from the Field By Anne Whiston Spirn Reviewed by Mariea Caudill Dennison Eileen Gray By Caroline Constant Reviewed by Ricki Sablove Louise Bourgeois Edited by Frances Morris and Marie-Laure
Bernadac Reviewed by Rachel Epp Buller Helen Frankenthaler: Painting History, Writing Painting By Alison Rowley Reviewed by Ingrid Steffensen Technologies of Intuition Edited by Jennifer Fisher Reviewed by Bojana Videkanic Liliana Porter and the Art of Simulation By Florencia Bazzano-Nelson Reviewed By Nina Gara Bozicnik Being Watched: Yvonne Rainer and the 1960s By Carrie Lambert-Beatty Reviewed by Karen Kurczynski We continue to receive new submissions and encourage scholars to send their articles for consideration. WAJ guidelines for contributors and subscription information can be found on our website, womansartjournal@womansartjournal.org. Published
semiannually—May and November—since 1980, Woman's
Art Journal continues to
represent the interests of women and art worldwide. Our articles and
reviews
cover all areas of women in the visual arts, from antiquity to the
present day. Each issue presents current research on a variety of
topics, featuring "portraits" of women artists, "issues and
insights," and discerning reviews of recent books and exhibition
catalogues. Each article is well researched and clearly written. Our
authors are international scholars in their fields. A typical
60-page issue contains 20-25 color plates and 25-35 black-and-white
illustrations. WAJ
is available by subscription. |